Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

The bounty and diversity of Washington State’s agriculture is possible because of the labor of agricultural workers. However, this work, and the individuals who perform it, are often hidden from view. In 1967, Irwin Nash visited the Yakima Valley to take photographs for a free-lance magazine piece on valley agriculture....

Keiko Hara’s exploration of her relationship to her surrounding environment has been continually formulated through the artist’s ongoing series titled, Topophilia. Meaning “a strong love of place,” the term topophilia, with its connection to humanistic geography, also represents a universal desire to hold onto ephemeral moments of beauty and sadness...